2018 Concert Recap

2018 was a great year for new records and live shows. Here’s a little recap of the concerts I attended in 2018!

George Ezra: 5/8/18, Roseland Theater

Processed with VSCO with hb1 presetI saw UK artist George Ezra perform in a small, local venue in Portland long before the success of his breakout single, “Budapest” in 2014. His booming, distinctive voice stuck with me after the performance, and I instantly became a fan. I won tickets to this concert in May through a contest his label created. I participated in various “fan activities” like watching George’s music videos multiple times, tweeting about him, and sharing his social media pages. I earned “points” that translated into number of entries, and I was my city’s winner! The concert was amazing–George played a full set of songs from both his debut record, Wanted On a Voyage and sophomore album, Staying at Tamara’s. I was thrilled when George performed my most favorite song of his, “Song 6.” This is a bonus track that appears on the deluxe edition of Wanted On a Voyage. It was magic to watch George perform it. Purple and blue lights on stage swirled around him as he sang, his eyes closed the whole time. I MAY have gotten a little emotional… 😉

Lucy Dacus: 5/26/18, Bloodworks Live Studio

Lucy, an indie rock/alternative singer-songwriter from Virginia, captured her audience from the very first song, “Night Shift.” (From her latest album, Historian.) Instantly, it became my favorite track. It tells a story of raw heartbreak and the conflicting feelings partners feel amidst the aftermath of a breakup. Immediately, Lucy reminded me of a few other of my favorite artists, like Phoebe Bridgers (whom she has performed with) and Courtney Barnett. Like these artists, she also seems to follow the “talk-singing” style, which reminds me a lot of when people read poetry out loud. I had the opportunity to meet her after the show, and she was so kind! (I’m not going to include the meet and greet picture here though, I look awful lol.) If you ever get the chance to see Lucy live, definitely check her out!

Dermot Kennedy: 5/27/18, Bloodworks Live Studio

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Dermot Kennedy, an R&B/alternative singer-songwriter from Dublin, Ireland, was the most unique artist I saw live in 2018. According to his online bio, “the young Dubliner draws inspiration from all the moments of brightness and darkness this world has to offer, crafting music that’s at once soaring and intimate, stripped-back and explosive. Stuttery hip-hop and R&B-influenced percussion underpins his weathered vocals as he combines organic and electronic elements into an arresting, emotional blend that calls to mind the adventurous arrangements of Bon Iver, and James Blake.” Dermot is a huge fan of Glen Hansard, another favorite of mine, who he ran into by chance on the streets of Dublin. A few months later, Glen invited Dermot to open for him on stage at a huge Christmas show! Dermot had a crazy strong stage presence when I saw him, and his voice really bounced off of the walls in the small studio. He mostly performed tracks from his 2017 EP, Doves and Ravens, plus  his most memorable song, “Young & Free.”

Death Cab For Cutie: 9/24/18, Hult Center

I’ve been listening to Death Cab since I was little, so when my friend offered me his extra concert ticket, of course I said yes! DCFC put on a great show, and engaged the crowd in between every song. It was so fun to hear some old classics in addition to new, like “Soul Meets Body,” which I’ve listened to forever, but also “Gold Rush,” from their latest record Thank You for Today.

Hozier: 10/20/18, Roseland Theater

Hozier played this Portland venue two nights in a row, and I caught the second show. My friend and I are both huge fans of Hozier, so naturally we lined up early and ended up being in the front row. (While waiting in line, we pressed our ears against the doors and could hear him soundchecking inside.) It was insane–standing that close to Andrew (Hozier’s real name) and his band was a dream come true. He started off the show with his hit single, “Nina Cried Power,” which I wrote about in an earlier post. Hozier also graced us with what was an unreleased track at the time, “Movement.” Andrew was accompanied by his incredible band which is composed of some insanely talented musicians from all over the globe, including Kristen Rodgers (backing vocals, percussion, keyboard) and Suzanne Santo (fiddle, guitar, vocals) from Ohio. Suzanne first sang with Hozier as part of the alt-country-blues duo, Honey Honey, when they joined him to perform Work Song at a benefit concert in May 2017.

 

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Concerts I’m attending in 2019 (so far):

The 1975, 4/27/19: This will be my third time seeing my favorite band, and I’m ecstatic! I’m crossing my fingers that they play a mixture of new and old material, especially a few of my favorite songs, like “Robbers,” “Paris,” “If I Believe You,” and “Inside Your Mind.” Each time I’ve seen The 1975, they sweep me off my feet. I completely forget where I am, and I get lost in the music. Matty and the boys put on an incredible show, and they always come through with a stellar stage setup.

Bad Suns, 3/1/19: This will be my first time seeing Bad Suns live, and I’m really looking forward to it. I’ve been listening to them for a few years now– they were the first record I was gifted when I received my first record player for Christmas a few years back.

 

See you in 2019, fellow music lovers!

(All photos, videos and gifs are mine.)

 

Now Playing: Winter 2018

Albums:

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The 1975: A Brief Inquiry Into Online Relationships

I’ve been looking forward to the release of this record for a few years now, and let me tell you, The 1975 did not disappoint. This record (“ABIIOR” for short) marks yet another new style/era for the band. (Each album seems to be a wildly different sound than the last.) There are quite a few ballads on this one, including the mesmerizing, jazzy tune about fear of commitment, “Mine,” and the haunting “Inside Your Mind.” (My personal favorite.)

IMG_1734Other incredible tracks include the Oasis-esque “I Always Wanna Die Sometimes,” and intense scream-along, “Love It If We Made It,” which centers around pretty much everything wrong with the world right now. The band has filmed 3-4 music videos to go along with selected tracks which were released as singles prior to the full album release on November 30, and my favorite by far was the video for “Sincerity Is Scary.” In addition, Matty has uploaded a few incredible acoustic performances of the new tracks, plus two of the band’s older songs, “Paris” and even “102,” from The 1975’s Drive Like I Do days. Track 1, simply titled “The 1975,” has been present on every record the band has released so far–they reinvent the song each time, tweaking the style and overall sound. (Left: The limited edition poster I received after attending a The 1975 Listening Party at my local record store!)

ABIIOR touches on the consequences of technology in the modern age, lack of genuine connections between human beings, and the current political issues going on in our world. Long story short, I love almost every single track. The record has a variety of style and meaningful lyrics to fill your time dissecting, and listening to it all makes me even more excited to see them live next April. Also, reminder that the guys are planning to release another album early next year 😉

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Hozier: Nina Cried Power EP

This EP was released in October, and although it’s comprised of just four tracks, it’s jam-packed with some notable tunes. When asked about how this EP ties into the release of his sophomore album, Hozier says: “This collection of songs is an example of what I’ve been working on and is a small taste of what is to be expected from the upcoming album.” The first track, “Nina Cried Power,” which features Mavis Staples, strays from Hozier’s usual style and is a rad protest song. Hozier says that the song as well as the accompanying music video highlights the work of Irish activists, and famous Civil Rights activist Nina Simone. Can’t wait to hear the rest of his new material!

Singles:

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Horace Bray: “How It Ends”

This single combines soulful vocals and jazz acoustic/electric guitar with a driving, heartbeat-like bass. Horace, who began playing drums at the young age of ten, is a singer-songwriter from L.A. who grew up in St. Louis. He credits his love for jazz to an after-school jazz program he attended in St. Louis, the UNT Jazz Singers he joined at the Unviersity of North Texas, the Four O’Clock Lab Band, and a few other groups. “How It Ends” is his latest single, released just last month. My favorite lyric is: “I saw your light and now it’s gone…is this how it ends…with a flicker of how it began?” Using light as a metaphor for love is a powerful image.

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Josh Gilligan: “Absent Mind”

This song has some serious Mac Demarco vibes going on–especially the intro and middle riff, which features a funky electric guitar and background synth. The song follows the story of two people who have previously been in a relationship (or perhaps never at all), yet one of them still believes they are a couple. Josh Gilligan is still a fairly new, up-and-coming artist from Nashville, TN. Surprisingly, he says he has been heavily influenced by artists like Paul Simon, Bread, America, Dawes, and The Real Efforts Of Real People–however, his music strays far from the style of these artists.

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Julianna Zachariou: “Subway Song”

This lovely, sleepy track snuck its way onto my Spotify Discover page last month, and it hasn’t left my head since. I find myself singing it at random times, and I’m even attempting to learn how to play it on my ukulele. It’s short, sweet and simple–Juliana paints a picture of an early morning subway ride in New York, where half-asleep passengers clutch the rails. They sway back and forth with the rhythm of the train, and it looks as if they are slow-dancing with one another. Julianna Zachariou is a indie singer-songwriter from Nashville, and her first full-length album, “Meanwhile,” made its debut last year.