I’ve been looking forward to the release of this record for a few years now, and let me tell you, The 1975 did not disappoint. This record (“ABIIOR” for short) marks yet another new style/era for the band. (Each album seems to be a wildly different sound than the last.) There are quite a few ballads on this one, including the mesmerizing, jazzy tune about fear of commitment, “Mine,” and the haunting “Inside Your Mind.” (My personal favorite.)
Other incredible tracks include the Oasis-esque “I Always Wanna Die Sometimes,” and intense scream-along, “Love It If We Made It,” which centers around pretty much everything wrong with the world right now. The band has filmed 3-4 music videos to go along with selected tracks which were released as singles prior to the full album release on November 30, and my favorite by far was the video for “Sincerity Is Scary.” In addition, Matty has uploaded a few incredible acoustic performances of the new tracks, plus two of the band’s older songs, “Paris” and even “102,” from The 1975’s Drive Like I Do days. Track 1, simply titled “The 1975,” has been present on every record the band has released so far–they reinvent the song each time, tweaking the style and overall sound. (Left: The limited edition poster I received after attending a The 1975 Listening Party at my local record store!)
ABIIOR touches on the consequences of technology in the modern age, lack of genuine connections between human beings, and the current political issues going on in our world. Long story short, I love almost every single track. The record has a variety of style and meaningful lyrics to fill your time dissecting, and listening to it all makes me even more excited to see them live next April. Also, reminder that the guys are planning to release another album early next year 😉
This EP was released in October, and although it’s comprised of just four tracks, it’s jam-packed with some notable tunes. When asked about how this EP ties into the release of his sophomore album, Hozier says: “This collection of songs is an example of what I’ve been working on and is a small taste of what is to be expected from the upcoming album.” The first track, “Nina Cried Power,” which features Mavis Staples, strays from Hozier’s usual style and is a rad protest song. Hozier says that the song as well as the accompanying music video highlights the work of Irish activists, and famous Civil Rights activist Nina Simone. Can’t wait to hear the rest of his new material!
This single combines soulful vocals and jazz acoustic/electric guitar with a driving, heartbeat-like bass. Horace, who began playing drums at the young age of ten, is a singer-songwriter from L.A. who grew up in St. Louis. He credits his love for jazz to an after-school jazz program he attended in St. Louis, the UNT Jazz Singers he joined at the Unviersity of North Texas, the Four O’Clock Lab Band, and a few other groups. “How It Ends” is his latest single, released just last month. My favorite lyric is: “I saw your light and now it’s gone…is this how it ends…with a flicker of how it began?” Using light as a metaphor for love is a powerful image.
This song has some serious Mac Demarco vibes going on–especially the intro and middle riff, which features a funky electric guitar and background synth. The song follows the story of two people who have previously been in a relationship (or perhaps never at all), yet one of them still believes they are a couple. Josh Gilligan is still a fairly new, up-and-coming artist from Nashville, TN. Surprisingly, he says he has been heavily influenced by artists like Paul Simon, Bread, America, Dawes, and The Real Efforts Of Real People–however, his music strays far from the style of these artists.
This lovely, sleepy track snuck its way onto my Spotify Discover page last month, and it hasn’t left my head since. I find myself singing it at random times, and I’m even attempting to learn how to play it on my ukulele. It’s short, sweet and simple–Juliana paints a picture of an early morning subway ride in New York, where half-asleep passengers clutch the rails. They sway back and forth with the rhythm of the train, and it looks as if they are slow-dancing with one another. Julianna Zachariou is a indie singer-songwriter from Nashville, and her first full-length album, “Meanwhile,” made its debut last year.