2018 Concert Recap

2018 was a great year for new records and live shows. Here’s a little recap of the concerts I attended in 2018!

George Ezra: 5/8/18, Roseland Theater

Processed with VSCO with hb1 presetI saw UK artist George Ezra perform in a small, local venue in Portland long before the success of his breakout single, “Budapest” in 2014. His booming, distinctive voice stuck with me after the performance, and I instantly became a fan. I won tickets to this concert in May through a contest his label created. I participated in various “fan activities” like watching George’s music videos multiple times, tweeting about him, and sharing his social media pages. I earned “points” that translated into number of entries, and I was my city’s winner! The concert was amazing–George played a full set of songs from both his debut record, Wanted On a Voyage and sophomore album, Staying at Tamara’s. I was thrilled when George performed my most favorite song of his, “Song 6.” This is a bonus track that appears on the deluxe edition of Wanted On a Voyage. It was magic to watch George perform it. Purple and blue lights on stage swirled around him as he sang, his eyes closed the whole time. I MAY have gotten a little emotional… 😉

Lucy Dacus: 5/26/18, Bloodworks Live Studio

Lucy, an indie rock/alternative singer-songwriter from Virginia, captured her audience from the very first song, “Night Shift.” (From her latest album, Historian.) Instantly, it became my favorite track. It tells a story of raw heartbreak and the conflicting feelings partners feel amidst the aftermath of a breakup. Immediately, Lucy reminded me of a few other of my favorite artists, like Phoebe Bridgers (whom she has performed with) and Courtney Barnett. Like these artists, she also seems to follow the “talk-singing” style, which reminds me a lot of when people read poetry out loud. I had the opportunity to meet her after the show, and she was so kind! (I’m not going to include the meet and greet picture here though, I look awful lol.) If you ever get the chance to see Lucy live, definitely check her out!

Dermot Kennedy: 5/27/18, Bloodworks Live Studio

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Dermot Kennedy, an R&B/alternative singer-songwriter from Dublin, Ireland, was the most unique artist I saw live in 2018. According to his online bio, “the young Dubliner draws inspiration from all the moments of brightness and darkness this world has to offer, crafting music that’s at once soaring and intimate, stripped-back and explosive. Stuttery hip-hop and R&B-influenced percussion underpins his weathered vocals as he combines organic and electronic elements into an arresting, emotional blend that calls to mind the adventurous arrangements of Bon Iver, and James Blake.” Dermot is a huge fan of Glen Hansard, another favorite of mine, who he ran into by chance on the streets of Dublin. A few months later, Glen invited Dermot to open for him on stage at a huge Christmas show! Dermot had a crazy strong stage presence when I saw him, and his voice really bounced off of the walls in the small studio. He mostly performed tracks from his 2017 EP, Doves and Ravens, plus  his most memorable song, “Young & Free.”

Death Cab For Cutie: 9/24/18, Hult Center

I’ve been listening to Death Cab since I was little, so when my friend offered me his extra concert ticket, of course I said yes! DCFC put on a great show, and engaged the crowd in between every song. It was so fun to hear some old classics in addition to new, like “Soul Meets Body,” which I’ve listened to forever, but also “Gold Rush,” from their latest record Thank You for Today.

 

 

Hozier: 10/20/18, Roseland Theater

Hozier played this Portland venue two nights in a row, and I caught the second show. My friend and I are both huge fans of Hozier, so naturally we lined up early and ended up being in the front row. (While waiting in line, we pressed our ears against the doors and could hear him soundchecking inside) It was insane–standing that close to Andrew (Hozier’s real name) and his band was a dream come true. He started off the show with his hit single, “Nina Cried Power,” which I wrote about in an earlier post. Hozier also graced us with what was an unreleased track at the time, “Movement.” Andrew was accompanied by his incredible band which is composed of some insanely talented musicians from all over the globe, including Kristen Rodgers (backing vocals, percussion, keyboard) and Suzanne Santo (fiddle, guitar, vocals) from Ohio. Suzanne first sang with Hozier as part of the alt-country-blues duo, Honey Honey, when they joined him to perform Work Song at a benefit concert in May 2017.

 

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Concerts I’m attending in 2019 (so far):

The 1975, 4/27/19: This will be my third time seeing my favorite band, and I’m ecstatic! I’m crossing my fingers that they play a mixture of new and old material, especially a few of my favorite songs, like “Robbers,” “Paris,” “If I Believe You,” and “Inside Your Mind.” Each time I’ve seen The 1975, they sweep me off my feet. I completely forget where I am, and I get lost in the music. Matty and the boys put on an incredible show, and they always come through with a stellar stage setup.

Bad Suns, 3/1/19: This will be my first time seeing Bad Suns live, and I’m really looking forward to it. I’ve been listening to them for a few years now– they were the first record I was gifted when I received my first record player for Christmas a few years back.

 

See you in 2019, fellow music lovers!

(All photos, videos and gifs are mine.)

 

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The Vinyl Revival

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“As CD and digital sales decline in the wake of streaming services like Spotify and Pandora, record sales are on the rise. In fact, the format has seen 260% growth since 2009. While CDs sit on shelves, vinyl supply is having a hard time keeping up with demand. It may not have seemed possible 10 years ago, but vinyl is back.” —Forbes Magazine, July 2015

record playerFor Christmas this year, I got a record player. I had wanted one for months but wasn’t expecting to get one, so my parents really surprised me. It’s a Third Man Records turntable designed by Jack White, and fortunately, NOT a Crosley. (Crosley turntables tend to break within a few weeks or ruin your records with their harsh needles.) Since I started working in a record store last year, I’ve become fascinated with vinyl and the culture surrounding it.

Since receiving my first turntable, I’ve been working on expanding my record collection. So far, I own Language and Perspective by Bad Suns, Talking Is Hard by Walk the Moon, Revolver by The Beatles, For Emma, Forever Ago by Bon Iver (my favorite one to spin), 5 AM by Amber Run, Quadrophenia by The Who, Wanted On A Voyage by George Ezra, and a few of my dad’s old records. I brought my turntable with me to college after Christmas break, and it’s attracted quite a few people into my dorm room. Since most people my age listen to their favorite albums on Spotify, my turntable has become a fun, unique (and nostalgic) way to listen to music in our dorm.

I love the experience of listening to music on vinyl. The slight crackle of the needle hitting the grooves of the record before it begins is one of my favorite parts, and I absolutely love watching the record spin…especially if the record is a picture (or colored) disk, like George Ezra’s album I purchased from a Record Store Day sale. (See below.)11951563_430420080485911_916543637205630510_o

I have come to love vinyl simply because it encourages the purchase of physical, tactile music. I  believe that the act of holding your favorite record in your hands before listening to it results in a unique, and overall more meaningful connection with the music.

Over the past year or so, vinyl purchases have expedited due to the current generation of teenagers and young adults who now own their own turntables. Honestly, I think that this trend first arose due to the aesthetic, visual appeal that vinyl and turntables present…specifically for posting to social media outlets like Instagram. Many young teenagers seemed to utilize posting pictures of vinyl as a way to get likes, since not many people were listening to music that way. Although this may have been the initial case, I think that vinyl purchases among young adults has evolved into a genuine passion for music and appreciation for the physical representation of a favorite record.

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Getting lost in record stores is one of my favorite things to do. I could spend hours browsing through records and examining album covers. Now that I have my own record player, I can actually buy albums to play…which is so much fun. If you have any suggestions of records that sound great on vinyl, please feel free to tweet me!

 

Photos of me by Kendra Siebert