2018 Concert Recap

2018 was a great year for new records and live shows. Here’s a little recap of the concerts I attended in 2018!

George Ezra: 5/8/18, Roseland Theater

Processed with VSCO with hb1 presetI saw UK artist George Ezra perform in a small, local venue in Portland long before the success of his breakout single, “Budapest” in 2014. His booming, distinctive voice stuck with me after the performance, and I instantly became a fan. I won tickets to this concert in May through a contest his label created. I participated in various “fan activities” like watching George’s music videos multiple times, tweeting about him, and sharing his social media pages. I earned “points” that translated into number of entries, and I was my city’s winner! The concert was amazing–George played a full set of songs from both his debut record, Wanted On a Voyage and sophomore album, Staying at Tamara’s. I was thrilled when George performed my most favorite song of his, “Song 6.” This is a bonus track that appears on the deluxe edition of Wanted On a Voyage. It was magic to watch George perform it. Purple and blue lights on stage swirled around him as he sang, his eyes closed the whole time. I MAY have gotten a little emotional… 😉

Lucy Dacus: 5/26/18, Bloodworks Live Studio

Lucy, an indie rock/alternative singer-songwriter from Virginia, captured her audience from the very first song, “Night Shift.” (From her latest album, Historian.) Instantly, it became my favorite track. It tells a story of raw heartbreak and the conflicting feelings partners feel amidst the aftermath of a breakup. Immediately, Lucy reminded me of a few other of my favorite artists, like Phoebe Bridgers (whom she has performed with) and Courtney Barnett. Like these artists, she also seems to follow the “talk-singing” style, which reminds me a lot of when people read poetry out loud. I had the opportunity to meet her after the show, and she was so kind! (I’m not going to include the meet and greet picture here though, I look awful lol.) If you ever get the chance to see Lucy live, definitely check her out!

Dermot Kennedy: 5/27/18, Bloodworks Live Studio

dermot

Dermot Kennedy, an R&B/alternative singer-songwriter from Dublin, Ireland, was the most unique artist I saw live in 2018. According to his online bio, “the young Dubliner draws inspiration from all the moments of brightness and darkness this world has to offer, crafting music that’s at once soaring and intimate, stripped-back and explosive. Stuttery hip-hop and R&B-influenced percussion underpins his weathered vocals as he combines organic and electronic elements into an arresting, emotional blend that calls to mind the adventurous arrangements of Bon Iver, and James Blake.” Dermot is a huge fan of Glen Hansard, another favorite of mine, who he ran into by chance on the streets of Dublin. A few months later, Glen invited Dermot to open for him on stage at a huge Christmas show! Dermot had a crazy strong stage presence when I saw him, and his voice really bounced off of the walls in the small studio. He mostly performed tracks from his 2017 EP, Doves and Ravens, plus  his most memorable song, “Young & Free.”

Death Cab For Cutie: 9/24/18, Hult Center

I’ve been listening to Death Cab since I was little, so when my friend offered me his extra concert ticket, of course I said yes! DCFC put on a great show, and engaged the crowd in between every song. It was so fun to hear some old classics in addition to new, like “Soul Meets Body,” which I’ve listened to forever, but also “Gold Rush,” from their latest record Thank You for Today.

 

 

Hozier: 10/20/18, Roseland Theater

Hozier played this Portland venue two nights in a row, and I caught the second show. My friend and I are both huge fans of Hozier, so naturally we lined up early and ended up being in the front row. (While waiting in line, we pressed our ears against the doors and could hear him soundchecking inside) It was insane–standing that close to Andrew (Hozier’s real name) and his band was a dream come true. He started off the show with his hit single, “Nina Cried Power,” which I wrote about in an earlier post. Hozier also graced us with what was an unreleased track at the time, “Movement.” Andrew was accompanied by his incredible band which is composed of some insanely talented musicians from all over the globe, including Kristen Rodgers (backing vocals, percussion, keyboard) and Suzanne Santo (fiddle, guitar, vocals) from Ohio. Suzanne first sang with Hozier as part of the alt-country-blues duo, Honey Honey, when they joined him to perform Work Song at a benefit concert in May 2017.

 

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Concerts I’m attending in 2019 (so far):

The 1975, 4/27/19: This will be my third time seeing my favorite band, and I’m ecstatic! I’m crossing my fingers that they play a mixture of new and old material, especially a few of my favorite songs, like “Robbers,” “Paris,” “If I Believe You,” and “Inside Your Mind.” Each time I’ve seen The 1975, they sweep me off my feet. I completely forget where I am, and I get lost in the music. Matty and the boys put on an incredible show, and they always come through with a stellar stage setup.

Bad Suns, 3/1/19: This will be my first time seeing Bad Suns live, and I’m really looking forward to it. I’ve been listening to them for a few years now– they were the first record I was gifted when I received my first record player for Christmas a few years back.

 

See you in 2019, fellow music lovers!

(All photos, videos and gifs are mine.)

 

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College & Local Radio is RAD!

KWVA_905As many of you may already know, I have a passion for radio. When I was a junior in high school, I visited my (now) college campus for the first time, and I was immediately drawn to the student-run radio station, KWVA. I loved the idea of a community of like-minded, music-obsessed students talking about/ playing what they love on the air.

The station, at the time, a small hole-in-the-wall studio that was once a women’s bathroom, was covered in stickers and band posters. Promo CDs were scattered among stacks of cassette tapes and vinyl, and hipster-looking students rushed in and out of the studio, welcoming me with giant smiles. I knew I had to get involved.

giphyI’ve been a part of my college radio station for 2 years now, and I will be heading into my last year in the fall. (That’s me in the studio on the right!) Since my first visit, the studio has expanded and moved to a shiny new space in the student activities center, located at the heart of campus. While on my summer break from school, I haven’t strayed far from the radio biz. I’m interning with the Portland Radio Project, a local radio station in Portland. I’ve met so many cool DJs, learned about some crazy talented local artists, and made some great connections.

According to Pitchfork, “college radio can reflect what local broadcasting should strive for: freeform programming that’s community organized and unentangled in market-based obligation. It is also a continually replenishing talent pool for the industry at large, and every part of the musical ecosystem can count former college radio DJs among their staff” (2017).

Both student-run and local, community radio provides music-lovers and radio enthusiasts the opportunity to think outside of the box. It’s an outlet for up-and-coming artists to receive recognition, listeners to be exposed to new genres, and a place for community members to share their music knowledge on the air without corporate involvement. This is how it should be when it comes to sharing the music we love!

According to FRG, “community and local radio stations focus on local areas they are an opportunity to give the community a voice. Community Radio Station’ staff are usually volunteers, and they are nearly always not-for-profit organizations. Funding is mostly given through donations or would incorporate fundraising in the form of events, pub quizzes and advertising.”

Kirsten at KATUKirsten Nicolaisen, a Portland-based journalist working in the social media and digital world of TV news, is a KWVA alumn and DJ at the Portland Radio Project! (We have a lot in common.) 🙂 Born and raised in Los Angeles, California, Kirsten made her way north for school where she spent four years working at KWVA Eugene. From production assistant, to DJ, to eventual News Director, Kirsten wore a number of hats at KWVA. A stint at Oregon Public Broadcasting brought her to Portland, which she now calls home. Now, Kirsten  works at KATU News. (Photo to the right.)

kirsten at KWVA“My favorite memories from KWVA are late nights and early mornings spent in the studio” Kirsten says. “KWVA was my library, my office space, my living room, and my little world tucked away down a long hallway at the student activities center. I loved diving into the music library in the wee hours of the morning when I first started DJ-ing during the Tuesday 4-6 AM shift, and sticking around afterward to catch up on school work… constantly distracted by all the messages and jokes scribbled on the walls. It was in those quiet hours that my love of music, radio and media truly blossomed.” (Left: Kirsten in the KWVA studio as a student.)

Kirsten believes that local radio stations like PRP provides music fans with the most unique music and best radio-listening experience.

“Without stations like PRP, I believe many talented local musicians would not have the platform to properly showcase their work. I feel lucky to be a part of a growing force in the local music community!” she says.

College and local radio is pretty rad. Let’s help keep it alive!

2014/365/351 On The Air At CFBX