Now Playing: Winter 2018

Albums:

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The 1975: A Brief Inquiry Into Online Relationships

I’ve been looking forward to the release of this record for a few years now, and let me tell you, The 1975 did not disappoint. This record (“ABIIOR” for short) marks yet another new style/era for the band. (Each album seems to be a wildly different sound than the last.) There are quite a few ballads on this one, including the mesmerizing, jazzy tune about fear of commitment, “Mine,” and the haunting “Inside Your Mind.” (My personal favorite.)

IMG_1734Other incredible tracks include the Oasis-esque “I Always Wanna Die Sometimes,” and intense scream-along, “Love It If We Made It,” which centers around pretty much everything wrong with the world right now. The band has filmed 3-4 music videos to go along with selected tracks which were released as singles prior to the full album release on November 30, and my favorite by far was the video for “Sincerity Is Scary.” In addition, Matty has uploaded a few incredible acoustic performances of the new tracks, plus two of the band’s older songs, “Paris” and even “102,” from The 1975’s Drive Like I Do days. Track 1, simply titled “The 1975,” has been present on every record the band has released so far–they reinvent the song each time, tweaking the style and overall sound. (Left: The limited edition poster I received after attending a The 1975 Listening Party at my local record store!)

ABIIOR touches on the consequences of technology in the modern age, lack of genuine connections between human beings, and the current political issues going on in our world. Long story short, I love almost every single track. The record has a variety of style and meaningful lyrics to fill your time dissecting, and listening to it all makes me even more excited to see them live next April. Also, reminder that the guys are planning to release another album early next year 😉

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Hozier: Nina Cried Power EP

This EP was released in October, and although it’s comprised of just four tracks, it’s jam-packed with some notable tunes. When asked about how this EP ties into the release of his sophomore album, Hozier says: “This collection of songs is an example of what I’ve been working on and is a small taste of what is to be expected from the upcoming album.” The first track, “Nina Cried Power,” which features Mavis Staples, strays from Hozier’s usual style and is a rad protest song. Hozier says that the song as well as the accompanying music video highlights the work of Irish activists, and famous Civil Rights activist Nina Simone. Can’t wait to hear the rest of his new material!

Singles:

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Horace Bray: “How It Ends”

This single combines soulful vocals and jazz acoustic/electric guitar with a driving, heartbeat-like bass. Horace, who began playing drums at the young age of ten, is a singer-songwriter from L.A. who grew up in St. Louis. He credits his love for jazz to an after-school jazz program he attended in St. Louis, the UNT Jazz Singers he joined at the Unviersity of North Texas, the Four O’Clock Lab Band, and a few other groups. “How It Ends” is his latest single, released just last month. My favorite lyric is: “I saw your light and now it’s gone…is this how it ends…with a flicker of how it began?” Using light as a metaphor for love is a powerful image.

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Josh Gilligan: “Absent Mind”

This song has some serious Mac Demarco vibes going on–especially the intro and middle riff, which features a funky electric guitar and background synth. The song follows the story of two people who have previously been in a relationship (or perhaps never at all), yet one of them still believes they are a couple. Josh Gilligan is still a fairly new, up-and-coming artist from Nashville, TN. Surprisingly, he says he has been heavily influenced by artists like Paul Simon, Bread, America, Dawes, and The Real Efforts Of Real People–however, his music strays far from the style of these artists.

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Julianna Zachariou: “Subway Song”

This lovely, sleepy track snuck its way onto my Spotify Discover page last month, and it hasn’t left my head since. I find myself singing it at random times, and I’m even attempting to learn how to play it on my ukulele. It’s short, sweet and simple–Juliana paints a picture of an early morning subway ride in New York, where half-asleep passengers clutch the rails. They sway back and forth with the rhythm of the train, and it looks as if they are slow-dancing with one another. Julianna Zachariou is a indie singer-songwriter from Nashville, and her first full-length album, “Meanwhile,” made its debut last year.

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The Power of Music In Film: An Interview with student filmmaker Anna Maestas

 

“Whenever I make videos, I rely heavily on the music I incorporate. I think the reason why people get so emotional over films is the combination of a visual and music component–without both, it just wouldn’t be the same.” -Anna Maestas

 

FullSizeRender-4By day, Anna Maestas is a sophomore at the University of Oregon studying journalism. By night, Anna directs and produces a series of moody, heartbreakingly beautiful short films. The first episode of her video series, “Would You Like to Leave a Message?,” premiered just last month.

The film, inspired by and centered around a real voicemail submitted by a friend of Anna’s, is as tragic as it is visually stunning. The accompanying track, Perfume Genius’ “Otherside” builds the film to an incredible climax, leaving the viewer with a sense of mutual longing and sympathy for the actors on screen. “Otherside” fits perfectly in terms of content and rhythm, complimenting the depth and complexity of the film itself. I chatted with Anna about her film, where she finds inspiration, and the ways in which music has largely contributed to her creative process. (Photo on right by Marissa Willke.)

A Perfect Playlist: What is your video series “Would You Like to Leave a Message?”, about, and how did you come up with the concept for it?

Anna Maestas: When it comes to art, I usually start with an idea that I think about for a few months. I put it into words, and then I don’t actually complete the project until like a month or so later. For this film, I got the idea in February of last year. I was going through life, things were pretty normal, but I was feeling some strong feelings of longing for different people, as well as longing for home. I decided to channel those feelings into an art piece by using voicemails.

When you call someone, your initial hope, of course, is that the person on the other line will pick up. When they don’t, there’s that “limbo” state you enter where your emotions end up spilled out into a voicemail. Voicemails are an expression of a very tangible, genuine longing. I knew that I wanted to use real voicemails in the film because it falls under the category of my favorite kind of art, which is called “relational aesthetic.” This type of art occurs when the artist curates real-life relationships and experiences through pieces. This can be expressed through performance, video, photography etc. The artist brings people together through an artistic depiction of a relationship or particular situation.

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Whenever I do art, I like to use themes from real life. So for this film, I wanted to take something that is very real–which is why I asked people to send me voicemails they’ve received. The voicemail I used for this particular film was between a girl and her boyfriend at the time. It’s so real and powerful…and in a way, if you listen to it, he didn’t really say anything in particular. It was just him rambling and hoping she would pick up. That stuck with me, because that’s how I was feeling about some of the people in my life at the time. So I crafted my visual interpretation of the situation and filmed it with some friends.

APP: How many voicemails did you receive?

Anna: So many. One of the most amazing parts of this project was the fact that so many people were willing to share such intimate parts of their life with me. It was so special that I got to hear the voices of their moms, grandmas, friends etc.

APP: Who were the actors in the film?

Anna: I had originally planned to film it in Eugene, but I ended up filming in my hometown of Denver, CO. Over the summer, I got my friends Ben and Kylie together, and we ended up filming it over the course of just two days.

APP: You chose the song “Otherside” by Perfume Genius to be the background track for this film. It fits incredibly well. Did you choose the song beforehand, or decide to use it as you edited?

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Anna: Whenever I make videos, I rely heavily on the music I incorporate. I think the reason why people get so emotional over films is the combination of a visual and music component–without both, it just wouldn’t be the same. That’s why people react so strongly to films with an incredible soundtrack. Whenever I look for songs to include in my videos, I look for a build in the song, where things are happening and they suddenly lead up to a certain moment that makes you go “holy shit.” So I heard this song by Perfume Genius, and I loved the build and the way it made me feel when I listened to it. I had it in the back of my mind when I was filming the video, and I knew it had to be that song.

APP: Is there a movie that’s had an impact on you in part because it’s soundtrack?

Anna: Call Me By Your Name. That movie is such a true and honest representation of love. I associate Sufjan Stevens’ music (which is in the film) with Eugene, since I watched it for the first time there with a lot of people I love. The music in that film partnered with the incredible story line all falls together so well for me.

 

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Thanks, Anna!